I wrote Guilty back in August 2002, right after submitting the manuscript of Living In a Lie. The idea came from an article I’ve read from an old copy of the Reader’s Digest. If I’m not mistaken, the article was entitled, “Why Do I Defend Criminals?” something like that.
While writing the story, I used the casting call method in developing the characters. I had in my mind the pictures of a well-known actress and a well-known teenage actor to play Rita and Paolo respectively. Whenever I write a scene, I would imagine how would the actress portray Rita — the way she moves, talks, and reasons out. Same with the teenage actor portraying Paolo.
I remember writing down the draft on an intermediate pad, on longhand, just to get the story out of my mind. After one chapter, I typed it on a short bond paper, double-spaced. Yes, I was using Voltaire’s typewriter then which he lent me since I don’t have a computer at that time yet. It was during that time that I’ve observed that one page of a handwritten story was equal to one page of a typewritten manuscript.
At that time, I wrote the story with Paolo’s transformation in mind. The original ending was a heart-tugging, emotional, unsent letter from Kaye addressed to Paolo. I remembered having the Mayor, Kaye’s dad, handed that piece of letter to Paolo a few days after the trial ended. My purpose was to show that the Mayor had accepted the court’s decision in acquitting Paolo.
The letter was Kaye’s reaction to what Paolo and his friends usually say that it was Kaye who reformed Paolo from a drug addict to a boy with a sense of direction. In that letter, it was revealed that Kaye was thankful to Paolo because it was Paolo who prevented her to commit suicide on the day that they first met. It was revealed that she had been depressed with her family’s situation, too. It was really a tearjerker.
After submitting the manuscript, my editor told me to change the ending. “Make it something hopeful,” he said. So I was instructed to type the new ending at the office, directly on the office computer, because the story was about to be printed. I guess, it took me a few hours to change two chapters at the end.
After submitting my revision, I moved on to the next projects. So I almost forgot this novel’s production.
Four stories after, sometime in November 2002, we (me and the other writers) had a falling out with the editors. I wasn’t paid for my last story that I’ve written. That was also the time I decided to venture to another medium: komiks. A few months after, karma had taken over so I don’t have to do anything.
Anyway, I’m presenting to you the e-book version of this novella. It’s much shorter than the others that I’ve written. And I do hope that you’ll enjoy reading as much as I enjoyed writing it.